{"id":28818,"date":"2025-08-19T14:12:29","date_gmt":"2025-08-19T14:12:29","guid":{"rendered":"https:\/\/un-label.eu\/project\/crips-seriee-writers-room\/"},"modified":"2026-07-15T09:47:29","modified_gmt":"2026-07-15T09:47:29","slug":"crips-seriee-writers-room","status":"publish","type":"project","link":"https:\/\/un-label.eu\/en\/project\/crips-seriee-writers-room\/","title":{"rendered":"CRIPS series &#8211; Writers Room"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.25.0&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.16&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text disabled_on=&#8221;on|on|on&#8221; admin_label=&#8221;Text : Breadcrumb&#8221; module_class=&#8221;breadcrumb&#8221; _builder_version=&#8221;4.27.0&#8243; disabled=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/un-label.eu\/en\/\">Startseite<\/a> &gt; <a href=\"https:\/\/un-label.eu\/performances\/\">Performances<\/a> &gt; 24 Hebel f\u00fcr die Welt<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;\u00dcberschrift &#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;contain&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1><span class=\"LineBreakBlob BlobObject DragDrop SCXW230380406 BCX2\">CRIPS series &#8211;\u00a0 Writers Room<\/span><\/h1>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/2025_Crips_AS_09-scaled.jpg&#8221; alt=&#8221;Three people, two in wheelchairs and one standing, in front of a white wall with a string of lights, wearing different clothes and hairstyles.&#8221; title_text=&#8221;Credits: Anna Spindelndreier&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.25.0&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;Informationstext&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>During their residency, the team behind the series <em>CRIPS<\/em> is setting up a writers\u2019 room \u2013 a creative lab dedicated to further developing and conceptualising the dramedy series.<br \/>Jan Kampmann (Creative Lead) and Leonard Grobien are leading the lab and inviting a brilliant artistic team (see below) to collaboratively shape the creative process.In September, the artists will be hosted at Un-Label\u2019s studio \u2013 as part of the Lab for Inclusive Culture (L.I.K.).<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;\u00dcber die Residenz&#8221; module_id=&#8221;raum&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>About the Residency<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Three millennials with physical disabilities realise they&#8217;ve been putting their real lives on hold for far too long. Careers, relationships, dreams \u2013 everything has been left untouched, until a fire alarm unexpectedly brings them together. What starts as a bizarre chance encounter soon turns into an intense friendship: together, they navigate relationship chaos, everyday barriers, and personal crises. Forget the classic hero\u2019s journey \u2013 this is more of a group trip. Because sometimes it\u2019s not about finding yourself but finding the people who\u2019ll stand by you when everything\u2019s burning.<\/p>\n<p><\/p>\n<p><strong>CRIPS<\/strong> is a dramedy series about a very belated coming-of-age \u2013 full of longing, self-doubt, and the attempt to finally become the main character of your own life in your thirties. Funny, touching, socially critical: a story that isn\u2019t afraid to go where it hurts, where we laugh \u2013 and realise that sometimes those two things aren\u2019t far apart at all.<\/p>\n<p><\/p>\n<p>\u201cCRIPS is more than just a series. CRIPS is the missing link. Between the handful of disabled characters on screen \u2013 usually either pitied or reduced to clich\u00e9s \u2013 and the millions of disabled people in the real world. Between cringe, comedy and care. Between self-image and external perception.<\/p>\n<p><\/p>\n<p>We believe humour is the sharpest tool to break through rigid ideas. Not by laughing at the CRIPS \u2013 but by laughing with them. Not by creating heroes who are \u2018strong despite\u2019 their disabilities \u2013 but by showing people who are strong and vulnerable, funny and sad, loud and quiet all at once. People whose lives are messy, contradictory, moving \u2013 and hilarious too.<\/p>\n<p><\/p>\n<p>CRIPS doesn\u2019t tell stories <em>about<\/em> disability \u2013 it tells stories <em>through<\/em> it. With characters who are never just \u2018the disabled sidekick\u2019, but who take the lead when it really counts. A series that doesn\u2019t aim to educate \u2013 but to inspire.<\/p>\n<p><\/p>\n<p>We want non-disabled viewers to watch CRIPS, laugh, feel, maybe cry \u2013 and at some point, suddenly realise: \u2018Oh yeah, they\u2019re CRIPS. I almost forgot.\u2019 That\u2019s our goal. Visibility that isn\u2019t built on deficits, but on life itself. And we\u2019re not doing this because it\u2019s trendy right now. We\u2019re doing it because it\u2019s long overdue.\u201d<\/p>\n<p><\/p>\n<p>\u2014 Jan Kampmann, Creator, Creative Lead<\/p>\n<p><\/p>\n<p>The CRIPS Series Writers\u2019 Room is part of the NEST programme by <a href=\"https:\/\/moin-filmfoerderung.de\/foerderung\">MOIN Filmf\u00f6rderung<\/a> and is supported by the <a href=\"https:\/\/www.claussen-simon-stiftung.de\/de\/\">Claussen-Simon Foundation.<\/a><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Text : K\u00fcnstler*innen&#8221; _builder_version=&#8221;4.27.4&#8243; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>Artists<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/Jan.creditsAnna-Spindelndreier&#8211;scaled.jpg&#8221; alt=&#8221;A person in a light green blazer and a black glittery top plays a Yamaha keyboard against a red background.&#8221; title_text=&#8221;Credits: Anna Spindelndreier&#8221; admin_label=&#8221;Bild&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Jan Kampmann<\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.filmmakers.eu\/de\/actors\/jan-kampmann\">Jan Kampmann<\/a> (concept, creative lead, actor) has become one of the most prominent voices in the German-speaking <em>CRIP<\/em> entertainment scene over the past three years. He acts, writes and speaks \u2013 always with a sharp mix of humour and social awareness. His recent work includes series and TV films for major broadcasters such as ARD and ZDF, a german theater premiere <a href=\"https:\/\/www.theater-altes-heizkraftwerk.de\/\">Theater Altes Heizkraftwerk<\/a>, performances in public spaces, as well as his own stage plays. In addition, Jan develops original projects, advises productions on anti-ableism, runs diversity workshops, and serves as an ambassador for organisations such as <a href=\"https:\/\/www.filmmakers.eu\/de\/actors\/jan-kampmann\">Filmmakers<\/a>.<\/p>\n<p>.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/Grobien.creditsAnna-Spindelndreier&#8211;scaled.jpg&#8221; alt=&#8221;A person with curly brown hair, wearing a patterned shirt and a black blazer, sits in front of a light background.&#8221; title_text=&#8221;Credits: Anna Spindelndreier&#8221; admin_label=&#8221;Bild&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Leonard Grobien<\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.leonardgrobien.com\/\">Leonard Grobien<\/a> (director, concept) writes and directs films, and performs both on screen and on stage. He also works as a script and film consultant. In 2023, he completed his degree in screenwriting at the ifs internationale filmschule k\u00f6ln and is now based in Berlin. With his company Aura Film <a href=\"https:\/\/www.aura.film\/\">(aura.film)<\/a>, he has produced more than eight short films. In 2019, he hosted the Grimme Award-nominated YouTube channel <em>100percent me<\/em>. As an actor, he has performed as a guest at Schauspielhaus Wien, Theater an der Ruhr, Theater Hagen, and other venues. In 2024, he appeared in the Un-Label production <a href=\"https:\/\/un-label.eu\/en\/project\/24-levers-to-shift-the-world\/\">\u201e24 Hebel f\u00fcr die Welt \u2013 Berichte aus der Winterreise\u201c<\/a> (a co-production with Beethovenfest Bonn). Productions involving Leonard have been invited to festivals in Graz, Bremen, Mainz, Heidelberg, and Berlin.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/Yulia.creditsAnna-Spindelndreier-1-1-scaled.jpg&#8221; alt=&#8221;A person wearing a striped T-shirt and a beige cardigan holds a white cup with both hands.&#8221; title_text=&#8221;Credits: Anna Spindelndreier&#8221; admin_label=&#8221;Bild&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Yulia Y\u00e1\u00f1ez Schmidt<\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.castforward.de\/members\/profile\/yulia-yanezschmidt\">Yulia Y\u00e1\u00f1ez Schmidt<\/a> acting) was born and raised in Cologne. She studied cultural studies in Hildesheim and Cologne before completing her acting training at the Inclusive Acting Studio at Schauspiel Wuppertal from 2019 to 2022. Her work as an actress is strongly influenced by the immersive performance installations of the Danish-Austrian collective SIGNA, with whom she has appeared at various venues in Germany, Austria and Denmark. From 2022 to 2023, she was a member of the ensemble at the D\u00fcsseldorf Schauspielhaus. Since 2024, she has been working primarily as a television actress.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/Lorelei.Holtmann.creditsAnnaSpindelndreier-scaled.jpg&#8221; alt=&#8221;A woman with long brown hair, wearing a black turtleneck jumper, in front of a light background.&#8221; title_text=&#8221;Credits: Anna Spindelndreier&#8221; admin_label=&#8221;Bild&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Lorelei Holtmann<\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Lorelei Holtmann (sensitivity reading, concept) is an actress and author. As a sensitivity reader, she supports character development with a focus on diversity and sensitivity to discrimination. She contributes her own lived experience as a disabled person (\u201ccrip experience\u201d) as well as dramaturgical expertise in theatre.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/MelanieGruen-2.jpg&#8221; alt=&#8221;A woman with shoulder-length blonde hair, wearing a light pink turtleneck jumper, stands in front of a stone wall.&#8221; title_text=&#8221;Credits: Anna Spindelndreier&#8221; admin_label=&#8221;Bild&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Melanie Gr\u00fcn<\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.crew-united.com\/en\/Melanie-Gruen_3222.html\">Melanie Gr\u00fcn<\/a> (production) is an experienced producer who has worked at Brainpool, Paloma Pictures and FLOW Media. She has been responsible for formats such as <em>Ladykracher<\/em>, <em>Pastewka<\/em> and <em>Queens of Comedy<\/em>, and has brought numerous successful comedy and dramedy productions to German television. With a special flair for socially relevant topics and strong perspectives, she now primarily produces diverse and innovative series formats for the streaming and TV markets.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/un-label.eu\/wp-content\/uploads\/Fassund3Kollektiv.CreditsJuliaGierzynski-scaled.jpg&#8221; alt=&#8221;Three people: two women standing on the left and right, with a man seated in the middle. All are looking at the camera, dressed in light-coloured clothing, against a neutral background&#8221; title_text=&#8221;Credits: Julia Gierzynski&#8221; admin_label=&#8221;Bild&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3>Fassung 3 Kollektiv<\/h3>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><a href=\"https:\/\/www.fassungdrei.de\/\">Fassung Drei <\/a>(screenwriting collective \u2013 Jana Forkel, Sophie Dittmer, Alexander Schmid) is a young, multi-award-winning collective of writers with a unique take on everyday humour and human relationships. Jana Forkel has recently achieved great success as head writer of <em>Angemessen Angry<\/em>, including winning the Grimme Prize.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221;][et_pb_column _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; type=&#8221;4_4&#8243;][et_pb_text admin_label=&#8221;Bildcredits&#8221; module_id=&#8221;raum&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p>Credits: 1 &#8211; 5) Anna Spindelndreier, 6) Melanie Gr\u00fcn, 7) Julia Gierzynski<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;\u00dcber die K\u00fcnstler*innen Residenzen&#8221; module_id=&#8221;raum&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2>About the residence programme by Un-Label<\/h2>\n<p>[\/et_pb_text][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Un-Label\u2019s artist residencies provide artists with disabilities with the opportunity to realise their own creative projects while receiving targeted support. The\u00a0<strong data-start=\"153\" data-end=\"192\">Labor f\u00fcr inklusive Kultur (L.I.K.)<\/strong>\u00a0in Cologne serves as a central space where artists with disabilities can connect, collaborate, and work in an inclusive environment. In addition to financial, personnel, and logistical support, the residencies focus on interdisciplinary and intersectional collaboration. 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