{"id":8541,"date":"2020-02-17T09:38:53","date_gmt":"2020-02-17T09:38:53","guid":{"rendered":"https:\/\/un-label.eu\/guest-performance-gravity-and-other-attractions-on-17th-and-18th-february-in-antwerp\/"},"modified":"2020-02-18T15:05:49","modified_gmt":"2020-02-18T15:05:49","slug":"guest-performance-gravity-and-other-attractions-on-17th-and-18th-february-in-antwerp","status":"publish","type":"post","link":"https:\/\/un-label.eu\/en\/guest-performance-gravity-and-other-attractions-on-17th-and-18th-february-in-antwerp\/","title":{"rendered":"Guest performance Gravity (and other attractions) in Antwerp 17th and 18th February"},"content":{"rendered":"

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On the 17th and 18th of February<\/strong>, during the interdisciplinary NextDoors week <\/strong>at the Royal Conservatoire Antwerp<\/a>, we will present our contemporary dance theatre duet Gravity (and other attractions) performed by a deaf (Tiki) and a hearing (Lolo) dancer. They meet on a subway train and travel through their imagination as they experience different ways of attraction\u2026<\/p>\n

For further information please visit the following website: https:\/\/www.ap-arts.be\/evenement\/gravity-other-attractions<\/a><\/p>\n

\/\/ ACCESS\/\/<\/strong>
\nThe performance has been developed by a creative team consisting of members with and without disabilities. Accessibility has been an integral part of the creative process. Gravity (and other attractions) uses innovative methods of accessibility as a core of the performance. The work is mainly accessible through poetic audio description. This innovative approach integrates descriptive language into the play without specifically targeting a visually impaired audience. Gravity also features other languages and art forms, such as international sign language and visual vernacular. Touch tours are available.<\/p>\n

\/\/CREDITS\/\/<\/strong>
\nConcept, Dramaturgy & Direction: Costas Lamproulis (GR) \u2013 Script*: Max Greyson (BE) \u2013 Choreography, Performers & Dancers: Sarah `Sarena\u00b4 Bockers & Dodzi Dougban (DE) \u2013 Music & Sound Composition: Filippos Zoukas (GR) \u2013 Visuals: Tim Stadie (DE) \u2013 Costume & Stage Design: Sarah Haas (DE) \u2013 Light Design: Christian Herbert \u2013 Outside Eye Choreographers: Despina Bounitsi (GR) & Wagner Moreira (DE) \u2013 Music (Flute): Ine Vanoeveren (BE) \u2013 Sign Language Interpreter: Stella Papantonatos & Konstanze Bustian (DE) (Skarabee) \u2013 International Sign Language Advisor: Rafael Grombelka (DE) \u2013 Visual Vernacular Advisor: Eyk Kauly (DE) \u2013 Advisors for the Visually Impaired Audience: Franziska Wilke & Andrea Eberl (DE) \u2013 Creative Producer: Lisette Reuter (DE)<\/p>\n

Produced by:<\/strong> Un-Label e.V. \/\/ An Un-Label Performing Arts Company production
\nCo-Production Partners:<\/strong> SMouTh, Oriente Occidente Festival, N.C.A. Small Theatre
\nAs part of the Project:<\/strong> Impart-Immediate Performing Arts
\nFunded by:<\/strong> Aktion Mensch, EU Programm Creative Europe, Fonds Soziokultur, Heidehof Stiftung, NRW KULTURsekretariat, The Ministry of Culture and Science of North Rhine-Westphalia, THE POWER OF THE ARTS, Kulturamt der Stadt K\u00f6ln,The Greek Ministry of Culture and Sports<\/p>\n

*The script was written by Max Greyson as part of an artistic research project at the Royal Conservatoire of Antwerp on developing artistically integrated audio description.<\/em>
\n
\nWith the generous support of \u2018Inspiratum vzw\u2019.
\n\u00a9Photo: Giannis Chatziantoniou<\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

During the interdisciplinary NextDoors week at the Royal Conservatoire Antwerp.<\/p>\n","protected":false},"author":3,"featured_media":7153,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[25,26],"tags":[],"class_list":["post-8541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-top-news-en","category-news-en"],"_links":{"self":[{"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/posts\/8541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/comments?post=8541"}],"version-history":[{"count":5,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/posts\/8541\/revisions"}],"predecessor-version":[{"id":8573,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/posts\/8541\/revisions\/8573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/media\/7153"}],"wp:attachment":[{"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/media?parent=8541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/categories?post=8541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/un-label.eu\/en\/wp-json\/wp\/v2\/tags?post=8541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}